June 30, 2005
Poetry Amuses
Even if, in that stony lower-left part of your soul reserved for all things
Quiet, you hate Poetry, you really have to go out and get this month's
issue. It's the Humor Issue. It's a break from the deadly serious Business
of Poetry. It's a self-mocking tribute. It's Kenneth Koch's epigraph
on Jonathan's blog.
It's Andrew Hudgins and Billy Collins and Albert Goldbarth and Bob Hicok and
David Kirby and All The Usual Suspects, but making faces It's Joel Brouwer's bio, stating
"Joel Brouwer is the nom de plume of the maggot that ate Bertolt Brecht's
spleen." It's Dean Young doing Ten Takes on fictional books, including his
review of Scrotal Oboe, by Mary Leelou Louless (Yawn Younger Poet Series,
$0.15/yard). It's Michael Lewis on How To Make a Killing from Poetry:
A Six Point Plan of Attack. For God's sake, it's Louise cracking a
smile. In short, it's hilarious.
An entire year's subscription price is what Kay Ryan's article is worth.
Maybe two years. Kay was engaged by the editors to document her first
foray into that consummate tribal gathering, titled "I Go To AWP". Some
excerpts:
I have always understood myself to be a person who does
not go to writers conferences. ... I don't like orchestral music. I
don't like team sports. Make mine ... the artist who paints rocks cast
from bronze so they look exactly like the rocks they were cast from; you
can't tell the difference when they're side by side.
I have a weak character. ... I love to love ouzo with
ouzo lovers. ... this weakness concerns me going to AWP. If I'm
exposed to the enthusiasm of others, I know that I am capable of betraying my
deepest convictions, ... hostility to instruction, horror at groupthink.
How am I going to remember: these people are THE SPAWN OF THE DEVIL?
They will seem like individuals, not deadly white threads of the great creative
writing fungus.
What we have here before us is the exhilaration of
BULK: bulk bags, bulk panels, bulk poets. Even though this is
Canada, we are having an American experience. Attendees who use American
institutions such as Costco won't have a problem. They already know how to
handle things like AWP. They already know about proportion.
The Bookfair: There are venerable names
and new ones. ... Some of these journals I've had dealings with for
decades. Slow dealings ...[getting] my poems back (usually all of them)
they would look new to me ... maybe like children getting off the bus from their
first day of school. ... It slowed me down. If I'd gotten these
poems back at email speed, say, they wouldn't have been away long enough for me
to lose hope the way you need to.
My First Panel Experience: The draped and
elevated table of the panel setup looks like the Last Supper but with just water
glasses. The question to be addressed by our panel is, How does the
creative writing teacher stay creative? These creative writing teachers
... resort frequently to various forms of the word "mentor", both noun and verb.
... Nor are they confused by the verb "to workshop". As easily and
comfortably as I might say, "We started sanding the table", do these
creative writing teachers say, "We started workshopping the poems."
Lunch Break: I met up with Dorianne Laux
at the sonnet panel. In spite of my abstract contempt for everyone in
attendance here, I am on the functional level delighted ... to see this person
whom I know and like. ... This is all so distressing.
Where are the Poet-Critics (9:00 - 10:15):
Herb Leibowitz, who edits Parnassus, was supposed to be on this panel.
... He edited an essay of mine for his magazine, and he was so fussy that it
seemed like a grooming ritual from another hemisphere ... Herb Leibowitz
didn't show, but ... Linda Gregerson spoke of the importance of poet-critics in
a precise and strenuous manner that I appreciated very much. It makes you
automatically feel that what they are saying matters. ... We have to
listen to so many dumb people, it's a pleasure to watch somebody's brain working
like that.
More really funny stuff. I hope you get an issue, even if you have to
read it standing up in a bookstore, even if you have to steal it.
Posted by jbahr at 07:37 AM | Comments (0) | TrackBack
June 28, 2005
Pleiades 25:2
I seldom enjoy a literary journal as much as I have the new Pleiades,
which I received as a contributor (but that's not why I love this issue). It's edited by Kevin Prufer, big and beautiful,
filled with a magnificent mix of poetry and commentary. The poets whose
work is on display vary between much-published icons and first-acceptance
newbies. Although the poetry tends toward the narrative, the substrata are
as varied as you would expect from the creations of G.C. Waldrep, Mông-Lan
and Ethan Paquin. In other words, this is subversive narrative, the kind
of storytelling that rubs discordant notions together, in the hope of
illuminating small truths.
Of the many fine poems, here are some works that I particularly enjoyed: Maria
Hummel writes about God in three poems, this from Theory of Wrists:
"History says Christ got nailed / low through the wrists, / but most art depicts
his hands / bleeding. The hand has a place / for a nail, a hollow of sky
above blue / branches. ...". Alan Michael Parker,
Monday Sonnet: "The nut-brown spider slung between // the Suburu
antenna and / the myrtle tree // has left one wing of the fly / exposed, her
breakfast buzzing still".
Robin Reagler, Dream
Manifesto: "One blink and then a thousand bats fly out of the notches. //
Night slips black sequins under their wings." Victoria Chang, Man in
the White Truck: "... how orange the earth is there, // so
extraordinarily fire. And I wonder / why I am not on your list of the ten
most stolen, // welding my dress into a prison. They are wrong / who said
you have no heart: it is beating you to death."
Teresa Ballard, Sacrifice,
Leaves, and Whippoorwills: "Orange enters the green / crawls to the
edge of a leaf / until it becomes fire, / a word falling / from the fingers of
trees." G. C. Waldrep, Who Was Scheherazade: "My job was to pick
rocks. From his field. In lieu of rent. But the rocks were all
limestone and were crawling with tiny fossils of various crustaceans &
cephalopods & wavy ferny things that lookked like plants to me but, on second
thought, probably weren't, probably weren't plants at all but animals in the
same way that a tomato is a fruit and not a vegetable."
Lara Glenum, In the
Gynecological Museum: "How I wish the lacy valentine had not been flocked
out in mongoose / pelt? I'd never have come. I rode in on the horse
named // Exhibit A. The doctor inoculated me against pink-eyed rabbits.
A / key turned in my petticoats. 'Your hair needs cutting', he said,"
Other fine work by Maria Hummel, Colette Inez, Charlie Smith, Don Pagis, Nadine
Meyer, Ethan Paquin, Justin Courter, Alan Michael Parker, David Wagoner, Judith
Taylor, John Gallagher, Jeanne Larsen, Sean Singer, David Dodd Lee, Brian Teare,
Matthew Cooperman, Marilyn Hacker, Young Smith, Hadara Bar-Navad, Mông-Lan,
Walter Bargen, and Jim Daniels.
This issue also gives me kind of joy only obtainable by reading review after
article after review with which one agrees. A case in point is Mark Halliday's two contributions. (long parenthetical remark: I first ran across Mark Halliday in a
review of a book by
Wayne Dodd, where I found Halliday making a good deal of sense with a great deal
of wit: "Stevens has such charisma he can
lure a reader into agreeing that the most urgent questions of our lives are
ontological (what is real?)–or epistemological (how can we know?),
since ontology always morphs into epistemology as soon as it is under stress.
When I step back from reading Stevens, it’s as if I shake off a drug and
remember that actually in my life the urgent puzzles bypass the ontological and
hover in the moral and the psychological: Who am I, as a distinct individual,
trying to be? Why? What is the right life for me? What do I owe to other people?
What should I do with my memories?" ). Halliday's first piece is a
pseudo-biographical send-up of the post-avant called Vexing Praxis/Hocus
Nexus, in which he bemoans the usurpation of poetry's edge by Smankeyism in
the struggle of RRR's (real resistant radicality) EDH (experimentalist
defamiliarizing hyperfracture) against CGGHIC (corporate global glutinous
Halliburton imperialist capitalism). Halliday's second contribution is a
review of Brian Henry's On James Tate, in which Halliday quite reasonably
asks why none of Tate's critical detractors (e.g., Cal Bedient, Mark Jarman,
Adam Kirsch) were included among the nine essays and 13 reviews
— essays and reviews with a good deal of "verbosely
vacuous praise". It's clear that Halliday stands with me on the matter of
Tate: "Imagine a high school English class in eternity. ... Who is
the boy in the back row, constantly fidgeting and wise-cracking? It's Jim
Tate. He is burning the textbook with a cigarette lighter. Next to
him sits John Ashbery, writing a pantoum in French. Tate talks without
raising his hand, and makes the class giggle. Ashbery raises his hand and
says things that sound very smart, but no one understands him. Both boys
are terrible bored, but Ashbery is amused by his boredom, while Tate is enraged
by it." In reviewing the chapters by Lee Upton, Donald Revell, Charles
Simic, Carolyne Wright, and others, Halliday occasionally sidles off to make his
own amusing observations: "Our capitalist America, I know it's confusing.
But is it terribly confusing? Are we desperate and shattered and
utterly bewildered? It is convenient to say so, sometimes; it
justifies some easy gestures. ... You can get tenure at a university if you
learn to say 'We are totally screwed' in complicated enough ways." This is
a splendid review, one that contrasts (and often contests) the views of many
significant poets with Halliday's considerable study of
Tate's oeuvre.
Michael Theune's Faux, Flawed, Failed:
Alice Fulton's Fuzzy Poetry and Poetics isn't nearly as vitriolic as the
title suggests, though Theune does make his opinion obvious in the article:
"Fulton repeatedly makes clear that fractal poetry is the poetry of the between.
...At first, Fulton's theory sounds promising, ... [a] real departure from the
organic theories of poetry, ... The trouble with Fulton's theory is that none of
this happens. Instead, Fulton makes a mess of things, bleeding her
potentially interesting theory dry by turning it into at best a lightweight
surrealism or at worst a trite descriptive tool." Jerry Harp's review of
Donald Justice's Collected Poems provides a great deal of interesting
biographical detail alongside thoughtful and generally laudatory commentary.
Just when I thought the volume couldn't get any
better, I encountered the last fifty pages of short book reviews,
beginning with Cecily Iddings glowing take on Mary Jo Bang's ekphrastic
wonderment, The Eye Like a Strange Balloon ("Scenes, ideas, narrative,
and lyric are all provisional ... Apprehension is, at its best, an ecstasy that
disrupts ordinary ways of seeing").
Janet Holmes reviews Raymond McDaniel's Murder (a violet): "Like a
stem cell or the fragment of a fractal image, ... Murder (a violet) is
constructed ... so that even the smallest fragment makes possible the
reconstruction of the entirety". Joan Houlihan gives a positive review for
Christine Hume's Alaskaphrenia. Sally Ball synopsizes Ilya
Kaminsky's wonderful Dancing in Odessa. Craig Morgan Teicher could
be channeling my thoughts in his bemused and generally favorable review of
Heidi Lynn Staples' Guess
Can Gallop, a killerbee collection that includes "her air flowed / down past
her ask, till he flipped the hare off // her shoulders and that drove him Why
old? // till he wanted to no Everything ...". Thirteen additional reviews
of books by Rachel Hadas, Uwe Johnson, David Lehman, Ray Gonzalez, Kim Bridgford,
Allyson Shaw, Celia Bland, Paul Fattaruso (Travel in the Mouth of the Wolf,
what a great title), H.L. Hix, Maurice Manning, Hermine Meinhard, H. E. Francis,
Anne Winters, Rachel Zucker, and Van Jordan.
Posted by jbahr at 08:09 AM | Comments (2)
June 27, 2005
More Roundup
BusinessWeek features The Best Product Design 2005 Award Winners,
including the Jeep Hurricane (it can drive sideways), the JetBlue Self-Service
Kiosk, the Alienware ALX water-cooled gaming computer, and the Design Directions
Solemates (inexpensive sandals made from recycled paper). The race is on
among startup firms to set the standards for WiMax, wide-band wireless Internet
access that will make cell-phone cinema and mobile blogging viable. The
Big 6 accounting firms are increasingly hiring offshore. After a century
of surviving the competition of other media, newspapers appear to be losing
significant classified and ad revenue to Internet-based publications. Wind
and solar-based energy production will both rise 30% or more in 2005. PartyGaming, a Gibraltar-based online gaming company whose sites are in
violation of U.S. federal law, is set to go public in the largest British IPO in
a decade. The Renault Logan, priced at 5,000 Euros and targeted at the
Eastern European market, has sparked significant demand in Western Europe, as
well. Cable operators will begin testing software that determines age,
gender and product interests by analyzing the viewer's program mix, with the
intention of using the information to hyper-target specific ads to specific
customers.
Time's cover article is China's New Revolution, detailing the rapid
growth of the country's western cities, and the growing disparity between urban
and rural incomes. Jamaican Asafa Powell is now the fastest man alive,
setting a new record for the 100-meter dash. In a typically smart move,
Southest Airlines hedged oil prices two years ago, and now pays $26 a barrel for
jet fuel, compared to an industry average in the 40's. The gap between
high GDP growth rates of some countries (e.g., Spain, Ireland and Finland) and
low growth rates of others (e.g., Germany, France, Netherlands) puts the Euro at
risk as a common European currency. There is growing controversy over the
claims that Air Force Academy faculty and administration are participating in
rampant evangelical Christian proselytizing, aided by the many conservative
Christian groups in neighboring Colorado Springs. Indie retailers are
taking Alanis Morissette's Jagged Little Pill off their shelves to
protest her exclusive deal with Starbuck's for the acoustic version of the
album.
Poets & Writer's features James Frey on the cover, and an article by
Daniel Nester concerning his
drug rehab and publication of best-selling A Million Little Pieces. The NEA and the Poetry Foundation (think, Poetry magazine) are funding the
National Poetry Recitation Contests to promote poetry in high schools.
The Contester discusses the recent outing of Alan Cordle and contributions
of foetry.com, as well as the CLMP's new code of ethics. In Small Press
Points, Wings Press, who has published Naomi Shihab Nye, Donald Hall and
Virgil Suarez, gets a mention. Literary MagNet notes the new hip look
for Poetry and Southern Review, while plugging a number of small
journals (Swivel, Ninth Letter, 6x6, Black Clock).
The coming publication of A Wild Perfection: The Selected Letters of
James Wright, motivates an article on his life and times. Anselm
Berrigan, author with his mother Alice Notley and brother Edmund of The
Collected Poems of Ted Berrigan, remembers Robert Creeley. W. S.
Merwin is looking pretty good as he approaches 80, in an article discussing his
work over the past 50 years. Two articles on fiction writers and a
synopsis of debut fiction writers that I didn't read. David Calef
discusses Myths We Live By, But Shouldn't (e.g., Less is more, and
Write about what you know). 45 pages of classifieds listing grants
& awards, conferences & residencies, and job possibilities.
For more
roundup-in-comic-form, see Jim Behrle's
blog, which
mentions a
Parisian Hermes store that refused entry to Oprah, prompting her to call the
firm's president, and to vow never to return.
Posted by jbahr at 06:27 AM | Comments (0)
June 26, 2005
Sunday Roundup
From Queue, a publication of the Association of Computing Machinery:
the latest thing is ransomware, a virus that encrypts your files and then tells
you where to wire funds, at which point they will decrypt your files back to
their originals.
The current issue of APR sports the smiling face of Brenda Hillman. I
first met Ms. Hillman at the Napa Valley Writer's Conference last summer, and at
her first reading, I was struck immediately with the notion that she was the
grown-up version of the little red-haired girl that Charlie Brown was always
fawning over. Hillman was a very popular and gregarious instructor, always
surrounded by her students during meals, and very approachable to the rest of
us. She reads with a great deal of energy and good humor, in a voice that
is rather tremulous and urgent. The 13 poems she contributes in this issue
are mainly short, spread-out pieces, excepting String Theory Sutra, which
is a long double-column poem in which each side of the page plays against the
other (from Dust Acolytes: "Who has come?
What ironfoot iliad / girl aproaches the PS's,
her weathers / locked in grey flame? A steep /
scent sends energy back through the / fate
myth ..."). Carol Muske-Dukes with three poems (from Camilla:
"My father first threw me across water, / an infant, pinned to a javelin.
In the warrior / dream of the risen body, heaven is a precinct"). Liz
Rosenberg with three poems (from Among the Dead: "They are swelling / by
leaps and bounds, the ranks of the dead — / Peter
the tailor, and Mr. Papastrat our kindly landlord / who grew a garden of Eden
from an old coffee tin,"). Ira Sadoff discusses The Spiritualization of
American Poetry, noting how often recently he has noticed a wide variety of
poets motivating their work with religious or spiritual themes (Jorie Graham,
Cal Bedient, Olena K. Davis, Brigit Pegeen Kelly, Li-Young Lee, Franz Wright,
...), and then moves on to discuss poetic spirituality in 20th century work, and
(oddly) the anti-Semitism of Eliot. Emily Fragos with two poems
(from Lazarus, Come Out: "The sisters are wailing, quite beside
themselves with something new. / The pale Christ, lanky as a long-distance
runner, seems half-amazed / at what he has done. ..."). A translation of
Kazuko Shiraishi's Travel Is a Dream You Do Not Come Out Of. Three
poems by Stephen Dobyns in that trademark earthy, engaging, slightly creepy
voice (from Learning to Cope: "Adrift on his back in the tub, the
boy detects / the tip of his pre-pubescent prick as it pokes up / above the
surface of the water not unlike / the conning tower of U-boat Number 88 / during
its mad flight for Buenos Aires after // the German defeat. he too, the
boy thinks"). Terri Witek discusses her writing venue and habits in
Writing Light. A Selection of Letters includes 12 letters from
James Wright to publishers and poets (James Dickey, Galway Kinnell, Donald Hall,
Robert Bly), including travelogue entries, entreaties, apologies, humor, and
discussions of craft. Selections from The Triumph of Agriculture by
Nikolai Zabolotsky, translated from Russian by Eugene Ostashevsky. In the
Friends of APR column, Jeffery Bahr shows up between John Ashbery and
David C. Baldus. Tony Hoagland with Summer: "God moves
mysterious thunderheads over the towns and office buildings, / cracks them open
like raw eggs. The north has critical humidity. / The south plucks at its
sweaty clothes. The weatherman says it's August"). Two poems by
Stephen Dunn (from In the Open Field: That man in the field staring at
the sky / without the excuse of a dog / or a rifle — there must be a reason /
why I've put him there."). Five poems by Raymond Keen (from Ixion:
"Someone is always dying of cancer, Someone is always reading The New York
Times / After your mother died, / We found love letters in the attic.").
Four poems by Anatoly Naiman (from Crater: "In December nineteen
ninety-nine / we stood on the rim of a snow-white / crater. Who's the 'we'
in mind? / From Peter a bunch of guys / (two or three, maybe five) /
surrounding a hole in the haze.") Mark Rudman discusses D. H. Lawrence.
Creeley's The Rain on the back cover: " All night the sound had /
come back again, / and again falls / this quiet, persistent rain. // What am I
to do with myself / that must be remembered / insisted upon / so often? ...").
I was reading book reviews in
Rain Taxi, and came across a
review of
Kasey Mohammad's
Deer Head Nation by
Aaron Kunin, which prompted me to take it down from the shelf and browse.
I was struck again by how different are the voices of some poet's work, vis a
vis their prose and discussion (e.g., Kasey's amusing flarf vs. his
articulate and thoughtful commentary). Other poets strike me as discordant
in their various modes of expression (Olena K. Davis, Mary Jo Bang, Ron
Silliman, Jordan Davis, John Poch), as if they change into someone new upon
picking up a poetry pen. Other poets, particularly those from Ron's SOQ,
tend to write poetry in concert with their musings in articles, interviews and
blog entries (Bob Hicok, G.C. Waldrep, Victoria Chang). I have been
cruising through the works of Bertrand Russell and Richard Feynman recently, and
was also struck by how these giants of science and mathematics can set aside
their symbols and write important, interesting prose. It occurs to me that
in the hard sciences (as opposed to the social sciences) progress (and
publication) is, in the main, a function of standing on the last chap's
shoulders and reaching a little higher. This phenomenon has a superficial
similarity with literary scholarship. Still, practicing scientist seldom
care about the personal lives, or even motivating circumstances of their
predecessors. When I first started reading and writing seriously, I was
struck by the degree to which much poetry is incestuous (filled with allusions
of every literary kind, written in a kind of cross-bred voice). Why are
there so many more poems about Leda and The Swan than pole-vaulting or
breast-feeding, I wondered? I still do, but I'm getting over it.
By coincidence, Mike Snider points out an outstanding interview with Rebecca Goldstein, philosopher and mathematical historian,
which includes the long-standing differences in the beliefs of
Wittgenstein
and Gödel. An excerpt:
"So you can do your mathematics and stay out of the meta-discussion. This is probably a pretty common attitude among mathematicians. And in some sense it's a natural attitude. When you're working within the discipline you're doing what can be done within that discipline. The fish doesn't have to be an expert on the nature of water.
That's true in other field, too, say in physics. Physicists who disagree radically on the interpretation of physical theories—some thinking they're descriptive of an objective physical reality, others thinking theories are just instruments for predictions—can collaborate qua physicists, can employ the same physical theories to get out scientific results, whether theoretical or applied. Your day-to-day work as a physicist isn't necessarily going to be changed one way or the other because of your meta-view of what physics is; and your day-to-day life as a mathematician isn't necessarily going to be changed by your meta-view of what mathematics is. You don't even have to have a meta-view. Gödel's theorems only matter if you're interested in those meta- questions and to be a mathematician you don't necessarily have to be interested in those questions."
Harper's lead article is The Great
American Pork Barrel: how "earmarks", last-minute insertions into
bills for targeted funding to special interests, has grown to the point that the
last omnibus bill contained 11,772 separate earmarks, totaling tens of billions
of dollars. These earmarks are almost never debated, and their authors are
almost always anonymous, owing to the long-standing tradition of not publishing
the minutes of committee negotiations. The lobbyist industry, which now
includes 240 former members of Congress, spent $3 billion last year changing
minds (and, more often, just writing the legislation they wanted in the first
place). In Mighty White of You, Jack Hitt, with
even-handedness and wit, presents the scientific arguments behind the theories
that Europeans may have preceded the Asian ancestors of Native Americans,
landing thousands of years prior to the migration across the Bering Strait.
In the rather depressing Doing Time, Lynn Freed discusses "my years in
the creative-writing gulag", detailing the many frustrations and anxieties of a
writer/instructor. From Harper's Index: A single jumbo jet,
flying round-trip to Europe daily, produces 210,000 tons of carbon
dioxide; 52% of U.S. traffic accidents are on two-lane roads; 145
planets outside our solar system have been discovered since 1995; seven of the
nine Founding Fathers denied the divinity of Jesus; more terrorist attacks
occurred in India last year than Iraq; the first non-Christian in the line
of Presidential succession is number 16 on the list.
From Friday's WSJ:
China's 3d largest oil company ups its bid for Unocal, in competition with
Chevron, vowing to keep all U.S. workers on the payroll, and to divest itself of
U.S.-based oil properties (most of the Unocal's customers and oil-producing
assets are in Asia). Oil prices hit $60 a barrel, and the Dow lost 166
points. Rumsfeld opposes an Iraq pullout schedule, and Senator Kennedy
urged him to resign. The Naples Winter Wine Festival broke the Napa Valley
Wine Auction's charity-raising record, prompting the NVWA to "refocus" by
tripling the attendance tickets and hiring Jay Leno as the M.C. As the
Republican-led house promises to cut its funding by $100 million, an
ex-Republican Party chief is named head of the Public Broadcasting system,
sparking concerns that the programming will lean farther right. On July
4th, the Deep Impact space probe will fire a "washing machine-sized" impact
module at the Tempel 1 comet to determine what the comet's interior looks like.
New young-adult books include stories with themes troublesome to some parents,
from incest to binge drinking. Thumbs down for the movie remake of
Bewitched, starring Will Ferrell and Nicole Kidman. WSJ asks:
why don't we have more airport wine bars?
Posted by jbahr at 09:03 AM | Comments (0)
June 23, 2005
It's Too Darn Hot
The new Melic Review
is up with some dynamite poetry by Molly Arden, David Ayers, Laura Cronk,
Richard Epstein, Patricia Lockwood, Albany Meath, Matthew Shindell, and Zach
Schomburg. Kudos to Claudia Grinnell for the design and artwork, and all
the authors for solid work in this eclectic issue. Don't miss
Patricia's pose
with the dead baby and cabernet.
I made it home last night from the Bay Area, to find that it was still 80
degrees at 9 PM, a very unusual weather scenario for the high desert, where the
temperatures usually drop like a rock when the sun sets. 40 years after
first hearing my parents play the soundtrack from Kiss Me, Kate, I
thought "It's too darned hot". I found within
the mountain of mail a couple of announcements for poetry book contests,
including the Margie Poetry Book Award, won by Christopher Burawa (judge,
Beckian Fritz Goldberg) and the Cleveland State University First Book
Competition, won by Troy Jollimore (judge, Billy Collins). I noted
that our blogmate Laurel Snyder was
a finalist in the former (congratulations, Laurel).
Among the rest of the mail was today's WSJ with a few interesting
items: Theater chains Loews and AMC are merging in hopes that Size
Matters. Theater attendance continues to drift downwards as box office
revenue is stagnant (and only level because of large recent increases in ticket
prices). Consider that box office revenue this year is about $4 billion,
while DVD sales are 5 times that. General Mills is about to unleash
a national ad campaign touting the health benefits of eating breakfast (in other
words, Trix and Cocoa Puffs). Mattel is auditioning for a Real Live Barbie
to serve as the brand's spokesperson. GE has announced that it will make
its vice-chairman pay for the company jet for any personal trips that exceed
$200,000 a year. Krispy Kreme, once a darling of the stock market and now
in the tank, ousted its top 6 executives. Duke University told thousand of
hospital patients that they run no risk of infection, even though the surgical
tools used in their procedures were accidentally washed in hydraulic fluid.
Dems and Republicans are close to agreement on an estate tax bill that would
reduce the levy to 15% on those with estates larger than $5 to $15 million (I'm
so relieved). Samsung has the refrigerator for you: $3,500
and it comes with a detachable LCD screen that not only tells you the
temperature of the vegetable crisper, it also serves as a radio, TV and memo
pad. From Inc.: the legendary Malcolm Bricklin, the man who
introduced his own brand, the Yugo, and the Subaru to the U.S., has the
exclusive contract to market China's 7th largest auto manufacturer's cars in
North America, including a roadster "of Lexus quality", styled by the same
Italian design firm responsible for two Ferrari models, and all for $19,000.
BusinessWeek's cover is all about Old People who are smart and
productive and you should keep them, American Industry (one interviewee said:
"Once I got gray hair, people actually listened to me"). GM's sales
suck on the coasts, so the top brass intends to run more Spanish ads, sweeten
lease deals, and push the Pontiac and Saturn roadsters. McDonald's
continues its healthy theme by introducing a new line of McKids trike, bike,
skates and skateboard products. The real estate boom has been prolonged by innovative financing: over 40% of all real estate loans in
San Diego, Atlanta, San Francisco, Denver, Oakland, San Jose, Phoenix, and
Seattle were interest-only last year. Japanese anime is hot
worldwide, and 3 of the top 5 top-grossing films in Japanese history were
anime (the other two were Harry Potter and Titanic).
Societe Generale, with whom I banked when I lived in Belgium, runs this
completely bizarre ad now with a businessman striding across a skyscraper-strewn
landscape wearing bright red, oversized, and-your-little-dog-too, track shoes
from hell. The Downside to China's Buildup cautions that all this
phenomenal increase in China's production (semiconductors, petrochemicals,
steel, autos) will create a worldwide glut on the market if its own economy
doesn't grow at a rate that it can buy all the stuff being produced. The
evangelicals love them: stem-cells from umbilical cord blood (no glob of
64 completely undifferentiated cells, which might eventually be human, had
to die in the making of this story) might be able to replace embryonic
stem-cells for a large number of treatments, and ViacCell is betting the $20
million they were funded by Amgen to prove it. Dov Charney, the guy who
runs American Apparel, has a mustache that wraps around the back of his head,
appears in his own ads, and is at the top of a fast growing business built on
"pro-labor policies, racy ads, and sexually-charged culture". The
hard-charging CEO of Marvel Enterprises, Avi Arad, was an Israeli soldier, a
rental-car agent, and a toy designer. Ten pages on how to diversify your
portfolio with REITs, global investments, and commodity plays when all you
really want to do is pay off your student loans.
It's been 6 weeks since I even thought about writing a poem. I'm
wondering if it's a sabbatical or a cold-turkey sort of arrangement. If
"writers write", what's happening when you don't? On my left, there are
the luminaries mixing it up in literary theory/history/practice. On my
right, there are the really talented poets who apparently feel so much
more than I about almost everything, and aren't ashamed to write about it.
Dead ahead is a phalanx of poets hip and glossy and weirdass and allover,
slipping sly winks to one another in a kind of 21st century contextual ASL.
I think this particular malaise grew out of submitting to book contests. I
was perfectly happy getting accepted in a large variety of respectable journals.
Hmm. Maybe I should go back to doing that. But, I digress.
The new The Hat 6, edited by
Jordan Davis and Chris Edgar, arrived with almost 200 pages of modern verse
from many fine poets, many of whom are familiar to me: Joshua Clover,
Peter Gizzi, Nada Gordon,
Henry Gould, Mark Halliday, David
Lehman, Sarah Manguso, Jonathan
Mayhew, Ray McDaniel, Kasey Mohammad,
Daniel Nester,
Michael Schiavo, Aaron Tieger,
Tony Tost, Catherine Wagner, G.C. Waldrep, Alli Warren. I have only run
through it once, back to front, which permits me to enjoy the poets in reverse
alphabetical order, with the exception of Amy Edgar (who contributes a one-page
comic) and John Yohe, who appear to have been tacked on after Magdalena Zurawski.
It is impossible to characterize uniformly such a wide variety of work, but it's
fair to say that there is a lot of what was called microfiction or prose poetry,
before its it was so prevalent. Also, many works of disjunctive, imagistic
neosurrealism. Also, a few pieces that sound like an overheard
conversation, and a couple that sound like email responses to a question you
didn't ask (from Gary Sullivan's Poem: "I mean / I'm not trying to
say / the penny caused the / puking and diarrhea / but that we probably
want / to reexamine this whole / penny = good luck bull- / shit."). I
don't feel qualified to critique much of the interesting work in The Hat,
but I can say that it is an entertaining read, with pieces juxtaposed to
provide a sense traveling somewhere (which is all the more curious, as the
poems' placement was entirely based upon the poets' last names). I
liked the weird inner logic of Ordinary Time by Justin Lacour ("You were
always stating the obvious / crying "Skullduggery!" / when the monastery's yard
sale / proves to be a red herring."), and the humorous work of
Ange Mlinko (from Outwitting
Boy Scouts: "It's woodsy. / Ain't edelweiss, ain't from Uruguay.
Didn't originate in Fiji. / Whence the papaya? Whither the capybara?
/ A spongiform innocence wonders."). G.C. Waldrep's thoughtful passages
and immaculate diction please me, as usual (from Ocean City, New Jersey, 1989:
"There are only two human figures in all of America / and I have already seen
them. Everything else is socks and recognizance, / flutter and mood.
A color wheel comes in handy."). Roger Sedart's Picnic was
interesting ("Tea is to saffron as kneeling on the rug / is to a history of
kings on the road / erecting tents, roasting lambs, etc."). Henry Gould's
excerpt from Dove Street was a satisfying mix of musicality and careful
word choice ("A faint gray pencil-sketch my mother made
decades ago / floats in a blue corner: two redhead brothers
like twins / almost an octave Guillem & Giacomo sit
parallel"). Jonathan Mayhew's Sunday Morning was all the more
enjoyable for knowing a little how his mind works and of his respect for David
Shapiro ("VI. In Spicer's tragic Jew-baiting Calvinism, in Duncan's
Theosophy, Ginsberg's sunflower vision, Basho's old pond, in Howe's Irish
breakfast, ..., in the friendship of David and Jonathan,
¿qué
salvación me espera?"). There are
many other works of considerable merit, and I recommend you drop $12
here, where you can also read what
Josh Corey,
John Latta,
Gary Norris and
Ron Silliman have to say about
this "ecstatic and meditative" issue.
Posted by jbahr at 07:26 AM | Comments (1)
June 19, 2005
How Now, Middle Brow?
Ange began a discussion of
The MiddleBrow in a post of perfectly balanced irony, to which
John and
Henry (whose blog has been
resurrected from the RIP list) commented, and which spurred
Jonathan to reflect on the
phenomenon, which spawned additional commentary by
Harry and
Amanda.
David Brooks (who is not without his detractors,
here and
here) thinks it was killed in the 60's. Good examples of middlebrow
shamelessly borrowed from these writers include: Starbucks, Terri Gross,
The New Yorker, and Masterpiece Theatre. I'd like to think that there is
actually low-middlebrow and hi-middlebrow, and that I tend to fit in the latter
category. I know I'm just not sufficiently well-informed about The Arts to
rate much higher than that. Which is to say, I really enjoyed the Phantom
of Opera CD (London cast), and I just know that Andrew Lloyd Webber
barely makes it into low-middlebrow (and almost misses that on the basis of
Cats). I also love my heavy copper-bottomed Martha Stewart skillet
that I got at K-Mart. I like Impressionists, but then everybody
likes Impressionists. Just go to any museum and count the number of people
standing in front of a Monet,
Renoir, or Cézanne. Does that make their work middlebrow? Pynchon
used to be hip, but maybe he's high-middlebrow now. Maybe DeLillo, too.
Jazz may be eclectic, but Diana Krall is probably middlebrow, right? Don't
even ask about Norah Jones. Most lyrical narrative poetry nowadays
seems browless, that is, without pretension, but maybe within our frame, Merwin,
Simic, and Glück are middlebrow. You think?
Well, just found out that I have to fly back to the
Undisclosed Site via SFO. Talk to you later this week.
Posted by jbahr at 12:55 PM | Comments (1)
June 18, 2005
Wisconsin Weekend
The Huntsville airport is the ultimate in astronauts-and-spaceship motif,
considering how small it is (12 gates), but very modern and with the friendliest
TSA personnel I've ever run into. For some reason, the Delta auto-checkin
kiosk decided I was better off changing my Minneapolis flight to one that
involved hopping through Cincinnati, and who am I to complain? It shaved
another two hours off my trip, which almost makes up for the horrendous journey
getting there. The first hop was uneventful, and I landed at the
Cincinnati airport, one which seems ridiculously large for a city that size.
They did, however, have a Peet's Coffee Store, which was a delightful surprise.
I almost missed boarding the next flight, waiting 20 minutes in a 5-person line
to get a Quizno Toasted Tuna Sub at the slowest fast-food place I have ever visited
in my entire life. At some point, when the nice young lady was carefully
arranging the tomato slices with a precision usually reserved for Lexus engine
rebuilds, I lost it and told her that I didn't need the sandwich run
through the broiler, the complimentary pickle, or the laser-like sub bisection,
I just needed the damned sandwich, tossed $10 on the counter and ran to the
gate. I know, I'm getting irascible in my dotage. I then flew over a
couple of Great Lakes, landed at MSP, grabbed a Hertz, and drove to Eau Claire.
OK, that seems like a normal blog entry: anecdotes and random bitching.
Hah, you thought I was done, but I've decided to join Reb in taking a courageous
stand in the Blogger's Right to Post Trivial Personal Information. I know
that there are poets who object to this, and who never discuss their personal
life. Of course, these are often the same people who write poems admitting
to fantasies about sex with under-aged Komodo dragons. Here's a quick list
of things you may not know about me:
1. I was once a partner in a firm whose 4 principals had been married a
cumulative total of 14 times.
2. I once played contract bridge in ACBL clubs 4 times a week and had
enough placings to earn 15 Red Masterpoints, though I haven't played bridge now
in 30 years.
3. The last literature class I had was in high school.
4. I built treehouses as a kid, and played football and basketball in
high school. I worked construction and humped furniture as a teenager.
I pole-vaulted in high school and college, and have skiied for 15 years.
I've never broken as much as a finger.
5. My father's side of the family comes from Minnesota, but they all
moved to California in the 30's, including my great-uncle who died in a highway
accident driving here in his Huppmobile.
6. Two years before winning a National Merit Scholarship, my mother was
hiding my report cards so my father wouldn't blow up at my mediocre grades.
7. I am among the 25% of humanity who sneezes when looking at the sun,
an affliction called "photic sneeze reflex", a hereditary trait, whose actual
workings are unknown, though it is thought that pupillary light and sneeze
reflects may take similar nerve paths.
8. On a dare, I once did shots of sake laced with the scales of the
(extremely toxic) pufferfish. My lips were numb for 12 hours.
9. Two LAPD officers once visited me to discuss an offer of money I had
unwittingly made to a hit man to murder a friend's wife, thinking that I was
helping him with his legal expenses (the hit man was an undercover agent).
10. The majority of the atoms in my body, most of them heavier than
helium, were formed by the explosion of a supernova.
Slim pickings on the happenings front, as most of my news has come from the
USA Today that I found in front of my motel room door. Time
has a lead article on Gitmo, including excerpts from a inside-the-wire military
report on the interrogation of Detainee 063, the purported "20th hijacker".
DNC Chair Howard Dean's inflammatory excesses (e.g., the G.O.P is "pretty much a
white, Christian party") continues to cause mainstream Dems to avoid him like
the plague, but he's raising a million dollars a week anyway (the Republicans
are raising twice that, however). Coach travel gets worse, but major
airlines are competing for first and business-class customers with in-flight
gifts, including Savile Row travel bags and Prada fragrance kits. Joe
Klein is annoyed with Bush's annoying insistence on refusing to talk straight
about Iraq. Nuclear plants are understaffed with enough security to
deflect 9/11-size terrorist forces. Spanish teen idol Rafael Nadal, who
hails from Majorca, stormed the French Open in his continuing dominance of men's
tennis. The hottest fashions on the runway are from Chloé.
Guess who is Head Counselor at Camp Mariah for underprivileged city kids?
MIT Technology Review reports that Intel
may have a new silicon laser process that could add decades to Moore's Law
(which states that processing power doubles every 24 months). Ancient
texts recorded on everything from clay to papyrus have survived thousands of
years, but modern media has a lifetime that measures in the decades, spurring
the National Archives and Records Administration to figure out how to transcribe
and preserve the trillions of bytes of information for which they are
responsible. British researchers have reported that "pushy information",
such as Blackberry-powered email, is so disruptive that it effectively reduces
an employee's IQ by 10%. California universities and public institutions
receive almost $200 million yearly in patent and licensing revenue from work
done there. Forensic technology has advanced to the state that, God
forbid, should a terrorist explode a nuclear device somewhere, scientists could
almost certainly pinpoint the facility that it came from. Genetic
researchers are studying the population of a small Micronesian island, almost
all of whose inhabitants are obese. Their bishops over the years have
permitted small amounts of technology in daily life, and the Amish have remained
efficient (fiberglass buggies, air-powered compound miter saws) while keeping
to their principles. Jonas Salk may be associated with the defeat of
polio, but it was Albert Sabin's oral vaccine that actually did the job.
Medical researchers report, again, that the placebo effect is real, even placebo
pain drugs, even placebo surgery.
Posted by jbahr at 04:38 PM | Comments (1)
June 15, 2005
United We Stand
Well, that was a long day. I left DIA this morning for Huntsville, AL to attend a meeting tomorrow, which is, of course, now today. Denver is one of United's hubs, so I thought that was the easiest way to get there, with a single stop in Charlotte, where, alas, I would be a little late for the Carborro Poetry Festival. My flight out was both overbooked and late, so they booked me on a flight to Chicago, which was also late. After sitting on the ground for an hour, we finally took off and one tour through the White Stripes CD again and a chicken wrap later, I arrived in O'Hare just in time to have missed my connection to Charlotte, but there was another flight in an hour. That flight was overbooked, too, so they put me on a flight to Birmingham "which is only 70 miles from Huntsville". I seem to have driven 90 miles in my Hertz rental, however, stopping to call Junie with an update at a ZStop convenience store, where I got a Coke to accompany the radio pleasures on the drive. My cell phone charger didn't work in this particular Buick, so I was unable to call in to Rick and Bubba's show and try for the Giant Bag of Stuff that was up for grabs. There was no NPR to be found, so I listened to a station that replayed audio tracks from Seinfeld, and then King of the Hill. Without a cell phone, I had to resort to cruising Downtown Huntsville until I found first Williams Street, and then my motel, right next to the Von Braun Conference Center or something. It was after midnight on a weekday, but there was still a lobby filled with people drinking and smoking and chatting. Must be a friendly town. More tomorrow after a little sleep.
Posted by jbahr at 11:41 PM | Comments (0)
June 14, 2005
Over, In, and Out
I made it home last night about midnight, after two hours on a UAL flight
where they bumped me inexplicably (well, not so mysterious, really, but Junie isn't talking) into Business Class. I've decided one
should not try to drink free Chardonnay, read Oryx and Crake, and listen
to Get Behind Me, Satan all at the same time. In the two windows
where electronic devices are forbidden, I read The Economist, a mag that Frank
loves and which is similar to Business Week, only English-er. Tomorrow
morning, I'm flying to Huntsville, Alabama for a meeting. Most of what I
know about Huntsville comes from making airplane and motel rez's, and staring at
the birds-eye view that mapquest provides to see how far my Hertz rental will be
taking me from the airport to the motel to the client site. The only other
thing that I know about Huntsville is that the U.S. Government built a German
village there in 1945 to accommodate Werner Von Braun and the other rocket
scientists that we scooped up just ahead of the Russians. It's no wonder
that the largest splotch on mapquest is the Redstone Arsenal.
Speaking of The Economist, the lead article is on eBay, the
quintessential dot.com company, now 10 years old. The founder, Pierre
Omidyar, who gave the running of the company to the extremely competent Meg
Whitman, now lives in California and France, and is worth $10 billion.
eBay's stock has taken a hit recently when analysts noticed that it was only
growing at 30% per year, but its many smart moves (acquisition of PayPal,
establishing a global presence) still makes it the .com stock to watch.
Bolivia has "descended into chaos" as thousand of protesters demand the
nationalization of the country's oil and gas (a decidedly un-globalist atttitude).
Brazil's quasi-socialists mercurial president, Luiz Inácio
Lula da Silva (whom his buds call "Lula"), conceded to a probe of his government
allies, who seem to be taking or making payoffs. That Suddenly Nice and
Frail Old Man, Augusto Pinochet, having avoided charges of institutional murder
for decades, faces charges of tax evasion on $17 million in money that somehow
got into his foreign accounts. India and Pakistan took a break from
threatening to obliterate each other by nuclear means, and agreed to work on a
pipeline that would bring natural gas from Iran to South Asia. Syria's
leader-who-coincidently-was-son-of-the-last-brutal-dictator Bashar Assad
"appeared to resist pressure for real reform". Google overtook Time
Warner as the world's most valuable media company. "Footwear imports" from
China rose 681% in the first four months of 2004. Conservatives deride
judges who cite foreign precedents, but Supreme Court justices occasionally cite
them, a practice that was common in the first century of our country's history.
Democrats are finding that "just saying no" to everything the Bush
Administration proposes has gained them a lot of political advantage. In the
Bizarro World which is the U.S. Supreme Court, all the liberals and moderates
struck down states's rights in matters of medical marijuana. North Korea,
in what has been called "a lull in insult diplomacy", has agreed to think about
returning to talks about its nuclear future, whatever that means. Turnout
in the next election of Iran's presidency is expected to be low, as disgruntled
urbanites boycott to express dissatisfaction with ruling mullahs who have the
constitutional rights to overrule, well, just about everything. Many
Eastern European current and wannabe members of the EU are cheering for the
comatose European Constitution, hoping that the EU throws a little more money
their way. Many Italians want to return to the lire, which by all
accounts, would be a frigging financial disaster. Product placement is
growing hugely in video games. MIT scientists have proposed that the US
launch a fleet of barges with giant ex-cold war bomber jet engines, to sail to
the Caribbean and blast hot air upwards, thus attenuating hurricanes.
Dutch engineers are having success building bridges inexpensively and quickly
out of plastics. Software which models human systems tries to predict side
effects of new drugs. Modern art, including many of works in MOMA and The
Getty is slowly deteriorating. The UK is increasingly turning to highway
tolls and urban entry fees to reduce traffic. Though South Korea has made
extraordinary strides in technology recently, the country's inept economic
policies have led to stagnant growth. Everybody seems to be writing a book
about how Important China is, or how Dangerous, or how its Place in the World is
Inevitable (coincidentally, I read that China and India accounted for 70% of the world's GDP 800 years ago). One of the most gifted surgeons in the world died last month.
He was Hamilton Naki, a black man in apartheid South Africa, and he was the only
person that Christiaan Barnard trusted to remove the heart from a donor, to be
transplanted in another person.
Posted by jbahr at 09:01 PM | Comments (1)
June 12, 2005
From An Undisclosed Site
I know it's been Wednesday since I checked in, but I'm at a Secure Site in the Bay Area, working on
the hush-hush project I mentioned earlier. You know,
I-could-tell-you-but-then-I'd-have-to-kill-you. The bring-up venue is Casa
Paulsen, overlooking a valley
whose
details are hopefully unrecognizable. I brought Ilya's Dancing in
Odessa, and Victoria's Circle, and have so far barely managed to read
a Motorola DSP manual three times. My normal work schedule is 4 AM to 6
PM, with a few breaks for this and that (a donut run in the morning, a quick
trip for a USB cable). At 6 PM, we pretty much quit for the day and break
out the Bicyclette Chardonnay, a little gem imported by Gallo.
Every time I take a run down the hill, I manage to just avoid flattening
the ground squirrels who feel a need to run across the road exactly as I'm at
the bend. I have also just missed a doe and her 5 fawns, 4 or 5 barn cats,
and a dozen jackrabbits. The sky is filled with megavultures (honestly, 6
fee wing spans, if they're an inch). I haven't seen any coyotes, nor the
rare cougar, but I'm told they're up here, too. That's a lot of animals
for a semi-rural spot 10 minutes from a major Silicon Valley freeway, at least
for a guy from Colorado, where the animal life tends to be wildest on University
Hill in Boulder.
I'll try to catch you up on Global Events, but all of the news is at least 5
days old. Wired's cover is all about Spielberg and War of the
Worlds, a movie that more than one critic hopes is the savior of a dull
summer movie season, and which took a grand total of 72 days to shoot.
More dumb Microsoft Office Dinosaur-Head ads. An announcement of the new
fuel-efficient H3 (I can just imagine), which they dub the Nano-Hummer. A
recent study shows that the greatest number of 9/11 survivors were those that
Questioned Authority and just got the hell of out one Twin Tower or the other.
So much for Smiley and The Circus: Britain's spooks are soon to be
centralized in a huge donut-shaped edgeless Pentagon in Cheltenham. Robert
Rodriguez promised his son a good story, and delivered in this summer's
low-budget film Sharkboy and Lavagirl, and his son even gets to star.
The Perfect Child's complete formation costs approximately $800,000 if you
include baby yoga, Chinese lessons, a decade of music instruction, orthodontia,
private academies (natch), and prep classes. And that doesn't
include the $200K in college expenses. The newest entry to the open source
movement is T-shirts at Threadless.com, a company that will take your JPEG
upload and make a shirt out of it. A Sutter, California high-school faces
massive parent resistance to their plan of tagging all students with RFID
monitors (they said it would help attendance-taking). The newest thing in
commuter aviation is the M400 Skycar, a VTOL craft that can do 350 MHP and is
powered by alcohol. Peter Lynds, a college dropout from New Zealand, is
getting serious attention from the academic community regarding his premise that
time is basically an illusion. If New York wins the bid for the 2012
Olympics, the total price tag for the Olympic Village, stadia, Broadcast Center,
communications infrastructure and security will exceed $10 billion.
Contenders include the front runner Paris with expected outlays of $9 billion,
London ($6.3 billion), Moscow ($11.8 billion), and Madrid ($3.6 billion).
Dreamworks has only had one hit title (Shrek), but they're making more
animated films faster than Pixar, with a larger gross profit.
Time's cover exclaims "Lose That Spare Tire", which seem hopelessly
retro. Ten Questions for Natan Sharansky, the Soviet dissident (as many of
the Occupied Territories inhabitants appear to be) who quit Sharon's Cabinet
over the pullout in the Gaza Strip (quote: "I have very serious criticsms
of Amnesty [International]".) Rumors abound that Abu Mousab al-Zarqawi,
lead of "al-Qaida in Iraq" (could you, in your worst moments, think up a more
suck-up name?) may be injured or dead. There are well-informed fears that
this fire season could be the worst in a decade, and many trained firefighters
are National Guardsmen in Iraq. Gay and lesbian tourism accounted for 10%
of the $88 billion Americans spent last year abroad. Nobody knows who
killed the vastly popular Lebanese leader, Rafiq Hariri, but his death has
managed to galvanize the country as his politicking never did. Jimmy Wales
invented Wikipedia, the People's Encyclopedia, a work significantly larger than
the Britannica, and all done through volunteer work. An Amish man takes
18,425 steps a day on average, compared to a national average of 5,000.
Good review for Cinderella Man, Ron Howard's film version of James J.
Braddock, the nobody who famously beat boxing great Max Baer. Tom Cruise
has now been a star longer than Humphrey Bogart.
Spin, whose cover is adorned with a pensive shot of My Chemical
Romance, got paid by Microsoft for the same Start Something Sonic ad that The Evil Empire ran in
Wired. Lollapalooza is back after canceling last summer with $35
tickets, Dashboard Confessional, Pixies, and Weezer.
The Game explains his tats. The Backstreet Boys play to small
groups of screaming Manhattan fans. Norwegian black metallists are Fjord
Tough, responsible for exploits including church-burning, inter-band stabbings,
cranium-fracture by sheep head, prison escape, and particularly messy
suicide-by-shotgun. Other Norwegians include hit pop singer Annie (Lilia
Berge Strand) who is, well, a doll. Why the strange Irish Cillian Murphy
might make a good Batman. Spin turns 20 next month (imagine).
Chuck Klosterman reminds us that though Michael Jackson appears to be strange,
a lot of this weirdness is something we just blame him for, and after all, his
surname is pretty normal. Liam and Noel Gallagher note that, after
30, "the hangovers take a little bit longer to shift". Sleater-Kinney
insist that their music is not girly, cheery or happy (oh, darn). Some
good surfing shots from Costa Rica. Excellent pics from the South by
Southwest Music and Media Conference in Austin. Bono with That Look every
3rd page. Real-Life Rock Tales where Kelly Osbourne Sticks It To A Pup (a
real yawn, shame on you, Spin).
~~~~~~~~~~~~~~~~
Much to my surprise ...
You are John Ashbery. People love your work but have no idea why, really. You are respected by all kinds of scholars and poets. Even artists like you.
Which Famous Modern American Poet Are You?
brought to you by Quizilla
Posted by jbahr at 09:49 PM | Comments (0)
June 08, 2005
Effing Hump Day
Victoria Chang's Circle, Ilya Kaminsky's Dancing in Odessa, and
the third issue of effing
magazine all arrived today. I'll be reading Victoria ( I just SO
want to call her Vicky) and Ilya's (I actually have another Ilya working for me
out of Perm, Russia) books on the plane. Scott Pierce's effing
magazine cover is goldfish on green, with a scribbly back cover that lists
Ken Rumble, Jim Berhle, Hoa Nguyen, Denise Szymczak, kari edwards, Alli Warren,
Tony Tost, Marcus Slease, Ann Marie Eldon and Juliana Spahr, and that's only the
poet I recognize (apologies to the rest of you). My first impression?
When you don't have the tools, experience or context to differentiate, there's a
sameness that sets in, as it might with Sinatra, Elvis Costello, or No Doubt.
This accounts, of course, for what conventionalist would say is Ron Silliman's
tin ear when it comes to sorting out the large range of poetry in the SOQ.
At some point, you fall in love with all of it, and the distinctions become
clear. In the meantime, Jim's lines from Active Driveway, Always In Use:
blueberry queen wanted
to be left with prowler breath
my milkshake brings all the boys to the yard
but what *is* flesh
sounds remarkably like Brad Flis's Phono-Apples:
Forget this apricot
I whispered to the childborn
optica in a frenzy.
device of no reason
but, of course, the similarity is in the mind of the reader. And if the
reader isn't listening hard enough, or taking in the overriding metaphor, or
even reading to the end of the piece when All Things Are Resolved?
effing magazine's poetry is, by the way, interrupted by disturbing and quite
perfect collages of wrought faces and dead-eyed dolls and face-laden sofas and
clowns with head springs. There's a wonderful interview with Juliana Spahr
that violates every interviewer dictate. Scott asks about the relationship
between lyric and lang Po, and Juliana says: "I think their relationship
is not going so well although they seemed to have stopped yelling at each other.
But I don't think they'll be dating much soon". And I love the poet's
bios. This is not the last four pages of the Kenyon Review. Poets
admit to lives which involve changing copier toner, looking for an adequate MFA,
surviving earthquakes, evolving from their identical twin. Their credits
ramble through Skanky Possum, Mudlark, Taint, Antennae,
Shampoo, Typo. The crowd includes a Whitman winner, some
somebodies, and a lot of Who's Thats. I liked Ann Marie's Skin Sonnet
("watch mary-faced (t)his dripjewel crosses east / spit furls androgynously
(kneads to kneel)"), but I would have like to have seen one of her Morse Code
poems. I liked Hoa Nguyen's vignettes ("I'm sorry for you
sad marigolds rain pummeled / We have a "perfect" sky now as
cardinals / and mockingbirds become the birds of suburbs"). Alli
Warren's poems made me laugh in a few places. Farid Matuk's long
Immigrants was very engaging: ("We were dusty, we were lovely, we were
turned around. / Believe we learned to lie about the things left in
our pockets."). Yeah, very nice work. You should go
order one.
I can't keep up with Time. I think it comes twice a week now,
and this week's cover is Why We're Going Gaga Over Real Estate
(disillusionment with stocks, easy credit, everybody's doing it). The
hottest markets have the following gains over the past 5 years: DC:
108%, California: 103%, Rhode Island: 98%, Nevada: 85%, Hawaii: 83%, Florida:
81%, Maryland: 78%, New Jersey: 77%, New Hampshire: 73%, Massachusetts: 72%).
Prices have lagged in Utah, Indiana, Nebraska, Mississipi, and Tennesee (no
wonder the Red states are pissed at us). Danica Patrick, the first woman
to every hold the lead in the Indy 500, answers 10 Questions. Porter Goss,
head of the CIA, has been replaced on all important intelligence meetings by new
Intelligence SuperChief John Negroponte. Anurag Kashyap, 13 years old and
hailing from Poway, CA, won the 2005 National Spelling Bee with A-p-p-o-g-g-i-a-t-u-r-a.
The Supreme Court overturned the conviction of former Big 5 accounting firm,
Arthur Andersen. You can be a billionaire for a week by timesharing
Ferraris ($15,000 for 7 weeks a year), megayachts ($500,000 for a week), and
vineyards ($135,000 lets you plant, harvest and crush your plot at Napa Valley
Reserve). Jonathan Edwards is hosting major liberal bloggers in his runup
to the 2008 Presidential campaign. The highest price for a 20th century US
stamp, the "inverted Jenny" (Scott C3a, of which I've seen a few in my 2 years
as a rare stamp dealer), was achieved last week at auction for $525,000. A long
article on Mark Felt, AKA Deep Throat: why he outed himself and how much
influence, ultimately, he had on Nixon's downfall. The ruling mullahs have
made an implicit deal with young Iranians, loosening the restrictions on
lifestyle (fast cars and nightclubs abound) in return for unquestioned authority
on national matters. Starbucks, now a major music retailer, is testing
"media bars" in its coffee joints, where customers can download and burn custom
CDs. The fast food giants are competing fiercely for your dollars,
introducing healthy, megafat, downsized, and/or exotic items on the menu
weekly. The New Thing is farms that raise heritage breeds for sale to
upscale groceries and farmer's markets: Katandin lambs, Highland beef
cattle, Plymouth Rock hens, and red wattle pigs. The Time critics don't
care much for the new Batman movie, or Coldplay's abysmal lyrics.
Researchers have found that persons "newly and madly" in love have extremely
high levels of dopamine, the neurotransmitter also involved in addiction.
~~~~~~~~~~~
I'm off to San Jose this morning. I'll be some days at Casa
Paulsen, working with Dave on the bring-up of new hardware (a consumer product,
and all very hush-hush). I think I'm all packed, but I don't worry about it anymore, I just buy stuff on the other end. Which accounts for all this underwear. Talk to you all later this week.
Posted by jbahr at 05:55 AM | Comments (1)
June 07, 2005
Tuesday News
Two days of the WSJ, a good source of news, if you can stomach their
editorials: Apple is expected to announce that it will use Intel
processors in their Macintosh products, a stunning shift in strategy as the firm
struggles to compete with Dell and other large Wintel providers. Online
brokerage house consolidation continues (like everything else?) as E*Trade makes
an offer to merge with Ameritrade. Iraqi prosecutors levied a dozen
charges of crimes against humanity against Saddam Hussein (who is defended by a
star-studded array of Arab attorneys, including Mohamar Khadafii's daughter).
Hezbollah swept all 24 seats in the Lebanon's southern district (what happens to
the "blossoming democracy" theory when "terrorists" win free and fair
elections?). Upward mobility is eroding fast among entry-level employees
of U.S. companies because of outsourcing and a decline in in-house training.
Times have never been worse for the Iowa Pork Queen, due to a shrinking budget,
waning interest, and decline of the family farm. The U.S. made a lot of
friends upset this week, by listing Saudi Arabia, Kuwait, Qatar and the U.A.E as
traffickers in humans. In yet another display of protest in a former
Soviet Central Asian republic, 10,000 protestors marched in Baku to demonstrate
against the Aliev dynasty that controls Azerbaijan. The jury is out on
Michael Jackson. J. K. Rowling, author of the Harry Potter series,
arguably the most successful literary phenomenon of all time with 250 million
books sold worldwide and no end in sight, is personally managing the release of
Book 6, completing bypassing the media by holding a single press conference to
be attended by devotees. The nation's snack food producers are creating
more one-handed food (e.g., Yoplait's Go-Gurt and Campbell's Soup at Hand) for
commuters. The IOC is reportedly favoring Paris over NYC for the 2012
Summer Olympics. Pope Benedict XVI restated his opposition to abortion,
"artificial" birth control, and same-sex marriages. Again. The Russian
military are responsible for as many as 10% of the kidnappings in Chechnya.
UPS has apparently lost a Citigroup Financial box of computer tapes with
personal information on almost 4 million people. Background checks which
include FBI fingerprint processing is increasingly common for job applicants, as
companies (and even charities) try to comply with dozens of security-related
laws passed federally and locally. Depending upon the definition, mental
illness affects 25% of all Americans.
The cover of BusinessWeek screams "Sinkhole: How public pensions
promises are draining state and city budgets". States, counties, and
municipalities are getting killed (metaphorically) from concessions made public
employee unions in the Roaring 90's, which has led to large increases in
property taxes, and cuts in schools and welfare programs. Mortgage
fraud is rapidly on the rise as applicants fib about their income to qualify for
homes in rising housing markets. Sales of digital cameras are
expected to drop precipitously as other camera-equipped phones and PDA's hit the
market. Electronic Arts founder Trip Hawkins is betting that cell-phone
based games will make his company, Digital Chocolate, a big success. After
a decade of hype, the biotech industry is beginning to show stunning success in
combating cancer, lupus, obesity and nicotine addiction. The Bush
Administration has started applying serious diplomatic pressure to get China to
revalue its currency against the dollar, as the trade deficit rapidly approaches
$200 billion. Web use is exploding in China, and U.S. firms (Yahoo, Google,
MSN) are doing deals with local companies to get into the action.
Labor groups are gearing up for a fight as the Bush Administration prepares to
weaken the 1993 Family & Medical Leave Act. There's a large and rapid exit
from 401(k) programs, as wage-earners direct their savings (if any) to more
flexible IRA programs and real estate investments. Robert Brooks, founder
of Hooters, founded Hooters Air two years ago (flying to 11 cities) and is
planning a potato chip line, a men's magazine, and Las Vegas hotel and casino.
His rationale? "This brand has legs".
The Dave Matthews Band pose in baseball gear on the cover of
Rolling Stone. They are one of the dozen hot acts hoping for a revival
of the concert season, and like Green Day, are becoming increasingly
political in their message. System of a Down new Mezmerize
stormed to the top of charts, selling almost half a million copies in its first
week. Legendary record producer, Phil Spector, showed up for his murder
trial in a new afro. Linkin Park, angry at a lack of marketing
money, is suing to get out of their Warner Music Group contract. So far,
the Stones, Paul McCartney, Springsteen and U2 have devised ways
to get cheap tickets to their fans, and all the schemes have been foiled by
well-organized, well-financed scalping firms (the best tickets for the Stones'
tour now fetch $6,500). The music industry has sued over 11,000 "copyright
violators", often suing the parents of minors for hundreds of thousands of
dollars, and settling for $2,000 to $3,000 to make a point. Courtney Love
has been asked by what's left of The Doors to front the band. In
the article, An Epidemic Failure, Geraldine Sealey makes that case that
the Bush Administration is woefully behind on funding its promised $15 billion
AIDS program, and is increasingly tying money to abstinence programs. A
long, detailed, poignant article on the work of Marla Ruzicka, a humanitarian
aid worker in her own NGO, who died in a car bomb this April. Steve Nash,
point guard for the Phoenix Suns, is the League's first white MVP in a decade,
and only the second one under 6'6" in the past 40 years. RS gives
the White Stripes' Get Behind Me Satan 4 and a half stars, and Rob
Sheffield says "If you happen to be a rock band, and you don't happen to be one
of the White Stripes, it so sucks to be you right now".
Posted by jbahr at 08:20 AM | Comments (0)
June 06, 2005
Monday, Monday
Tony has written a very
thoughtful
mini-essay on craft, in response to Jonathan's comments on The Ten
Questions. I love Tony's idea of the New Sincerity. Tony has
joined with Joshua Edwards and Nick Twemlow to produce another outstanding issue
of The Canary. I just spend the better part of two hours reading
through it on the back deck with the sun going down beneath the Rockies.
It starts off, as usual, with poetry — no
editorials, no excuses, no synopses. The work is uniformly good, in some
cases outstanding, edgy without a single instance of being gratuitously weird.
Irreverent, political, compressed, quasi-formal, ironic narrative, even concrete
(from Joseph Campana). It seems like a work of broad consensus,
demonstrating a wide variety of intelligence, negotiated among three nicely
differing editors. Here are a few for which I made notes in the margin: Fanny Howe's
Tonight or Never demonstrates her ability to turn a phrase and stop us in
our tracks, simultaneously;
Lisa Jarnot has an interesting piece (Pope's
Iliad), a single stanza of seven I4 couplets; Trey Sager serves up an
iamb-sparse free-verse sonnet in Ad Hoc Anagrammatic 2-Sonnet Attack, and
then (I think) writes a second one using the letters from the first; Peter
Jay Shippy offers 3 fascinating poems (one only a line long) that skirt
the boundaries of nonsense, but end up leaving a pleasant gestalt; two
instructive extracts from The Glass Age, by Cole Swensen; Abraham Smith
with two short-lined Behrlesque reflections; Aaron Tieger's plainspoken
Friday; Laurel Snyder's smile-provoking You'd Come To My House If I Were
Sleeping ("Naked. If I were naked with naked Britney Spears"); Jake
Berry's disturbing, metaphorical war poems; Susan M. Schultz's prose poems, one
a mini-vignette (Mother), one a mini-essay (The Late Capitalist);
two reflective narrative pieces by
Danielle Pafunda;
Dale Smith's ornithology in
cascading triples (The Birds At My Window); punchy, political work by
Claudia Keelan (Little Elegies); two articulate, reflective poems by G.C.
Waldrep (The God-Merchants, Structure To Keep The Ball Off The Ground);
four poems of spare triplets by Hank Lazer; the aforementioned concrete poem
pair (A and H), by Joseph Compana; a kind of extended villanelle (oops, Jonathan says it's a pantoum) by David
Trinidad on Bette Davis (Hack, Hack, Sween Has-Been); some wonderful bee
poems by Julianne Buchsbaum (but, then, I love bee poems); two strange and
compelling Matrix-inspired pieces (both titled Sonnet to Morpheus).
There is additional work by Dan Beachy-Quick, John Witte, Rachel Zucker, Sawako
Nakayasu, Jason Lynn, Suzanne Buffam, Jess Mynes, Joanna Klink, Paul Naylor, Tod
Marshall, Robyn Schiff and a dozen more fine poets.
My new Cook's Illustrated has
illustrations of six kinds of cucumbers on the back cover (cornichon, garden,
English, Mediterranean, Japanese, lemon), and Notes to the Reader that includes
the advice that you do eat the ash on ash-covered goat cheese. The
best way to store celery is (amazingly) wrapped in aluminum foil. A bundle
of dried corn husks makes a good BBQ basting brush. The best pork loin for
grilling is the blade-end roast, brined for 3 hours and rubbed with oil and
spices (brown on high heat on both sides, then move to the side of the grill and
cover). Outstanding aioli can be made in 10 minutes with (non-virgin)
olive oil, pressed garlic, egg yolks, salt, pepper, and a touch of sugar.
I would never have thought to grill pizza, but there's 5 pages on how to
do it successfully. An outstanding recipe for "pulled chicken" that uses
inexpensive chicken leg meat and rivals the best pulled pork. All-Clad
wins to top spot in CI's cookware review, but the much less expensive Wolfgang
Puck's Bistro skillets are close. Thai Chile Beef at Home made from
blade steak (you'll need to find fish sauce and Thai chili garlic paste).
I'll just have to try the Veggie Burgers Worth the Trouble, hand made
with lentils, bulgur, mushrooms, celery, onions, garlic, leek, and cashews.
How to get a yellow cake to support an entire quart of blueberries in
Improving Blueberry Buckle. The top-rated oven mitt is the Kool-Tek
"protective apparel" mitt at $21.95, but the Parvin Flameguard is almost as good
at $8.40. When shopping for saffron (sure, in this country?), look for
bright, red threads. Custard is a little easier to get right with the
Williams-Sonoma whisk, with a thermometer built in and readable from the handle.
Time's cover has philanthropist/uber-Satan
Bill peeking out from behind an X-Box 360. After losing a billion dollars
on the venture, Microsoft has a hit with a high-performance, media-ready,
networked game console. The CIA President's Daily Brief is getting an
overhaul by new chief Negroponte, after criticism of its pre-Iraq War failings.
Hillary agrees point-for-point with Newt Gingrich on health-care reform (will
wonders never cease?). Nobody knows what to think about Adrianna
Huffington's left-leaning huffingtonpost.com. French Women Don't Get Fat
is a huge best-seller, but recent studies show that French women are getting fat
for the same reasons we are (less time for shopping, more processed food).
Eighteen states have banned AWOL (Alcohol WithOut Liquid), a contraption that
delivers aerosol licker by inhalation. 52% of American employees say they
would give up their morning coffee to be able to surf on non-work websites.
A U.S. District Court struck down Nebraska's constitutional amendment banning
same-sex marriage. Bipartisan Congressional support for stem-cell research
is growing fast, and may reverse Bush's current restrictions. Conservative
ex-warrior Ariel Sharon is gambling his legacy on the decision to evacuate
settlements from the Gaza Strip. "Exposed to male pheromones, the gay
man's hypothalamus lights up like a woman's". The King Tut tour is
preparing for Take Two. Dave Chappell discusses why he postponed his 3d
season with a soul-searching trip to South Africa. Ex-Charlie's Angel (and
still damned attractive) Cheryl Ladd writes the Guide to Golfing with the
Boys.
Posted by jbahr at 07:41 AM | Comments (0)
June 02, 2005
Nine More Questions
Jonathan's Ten Questions apparently spurred John Litzenberg to create another list of nine questions. Unlike the prior set of ten, I found these to be easy to answer. Jonathan's questions, after all, required a degree of consideration inconsistent with whimsicality. Who in God's name can keep up with Kasey, Josh, Ron, Jordan, and others (and, of course, Jonathan) when the questions are one of real poetic inquiry? I've often said that the only thing I know about poetry is, occasionally, how to write it. So I gave John's questions a shot:
1. Do you write with the intent of submitting (and getting published)? Is
that your primary objective in writing poetry (publishing to print media, or
online journals, or other outlets [i.e., contests, prizes, etc.])?
My primary objective in writing poetry has changed in the short time, perhaps
7 years, since I first began writing. I started writing poetry to a woman
with whom I was infatuated, and the habit persisted, even though the
relationship did not. The succeeding two or three years was devoted to
"writing my life", and the unfortunate consumers of my introspection were the
kind and relatively skilled cohabitants of an online poetry workshop. The
core group moved from one poetry board to another, experimenting, arguing,
comparing notes. Poetry boards generally require that one critique an
order of magnitude more often than one posts new work, and the construction of
thousands of critiques was itself quite an education. Eventually, the
group arrived at one of the toughest poetry board, and I found myself piqued
that the Poetry Powers voiced the same complaints about my work time after time.
To make a long story short, that is what led to publication - the desire to find
out if what I was writing was actually worth the time for anyone to read other
than my close group of friends. The ensuing 3 years was a flurry of
submission, filled with all the mistakes one makes at the outset -- over
submitting and pushing out work that isn't ready. At some point, I was
satisfied that my work was of middling publishable quality -- nothing picked up
by Kenyon Review or Ploughshares, but showing up regularly in respectable
journals with relatively high standards. In the past two years, I have
been much more interested in writing across a wider range of expression:
prose poems, relatively elliptical verse, poems that embed scientific ideas,
some formal works. I don't believe that publication is, in itself, any
longer the principal motivator. That being said, I also feel that I have
hit a strange kind of glass ceiling, and I'm not sure what the cause is.
Of course, it could simply be that I am not yet skilled enough to compete with
truly outstanding talent.
2. If submittal/publishing is not your primary objective, is there another
outlet (regular public poetry readings, religious liturgy, slams, literary
camaraderie/competition) for which you tend to write?
I had a lot of fun reading at a local literary salon, and have occasionally
been asked to read work at poetry get-togethers (generally at libraries and
coffee shops). Longmont, Colorado is not, of course, the Bay Area or
Greater New York, so the venues are scarce for social poetry.
3. Do you write poetry for other reasons (i.e., personal confessional,
celebration of special events, academic requirement, etc.)? How much of what you
write is for these "personal" uses, as opposed to ultimately for "audience"
consumption?
In the final analysis, I think I write because my professional life is quite
linear and hard-edged. Having a beer and writing for three or four hours
is a wonderful antidote to writing computer programs and managing a small
consulting business. I am consistently impressed how poetry makes me more
authentic than I could ever hope to be in normal discourse. It is as if
you are writing the truth as fast as you can.
4. In any case, what percentage of your "audience" is other poets, versus
non-poets?
I once mentioned to someone that at the pinnacle of success as a poet, your
mother still won't have heard of you. I think it's pretty well understood
that we're writing for each other.
5. As relates to audience, what is the level at which you seek to connect with
them (i.e., artistic, intellectual, emotional, political, spiritual, etc.), once
you have them identified? Does "connecting" to your audience even matter?
I have written a few ironic political poems, but most of my work is an attempt
to reconcile the very rational world in which I live with the subtle emotional
reality that is so much more in play with other poets. I have written a
few ekphrastic poems, but the art was a starting point, not a powerful
inspiration. I am, sadly not very spiritual. That leaves
intellectual, I suppose. I am fond of tightly encoded poems, poems with a
lot of subtle punch, interwoven themes and startling juxtaposition. I love
music and cadence, but it has to be harnessed to a notion of substance.
6. As you explore those different aspects of yourself through your poetry, does
that change your audience, make it larger or smaller, alienate it, etc.?
Jonathan Mayhew aptly noted that our audience is sufficiently small that we dare
not alienate it. As I have moved from lyrical narrative to more overtly
complex verse, I have certainly noticed many individuals in my prior audience
(those who cohabitate the poetry board on which I post) have expressed a sense
of betrayal. In this sad business of poetry, it seems that everything you
write is a confirmation of the work of those who write like you (or think they
do), and every change in your focus or tactics becomes a threat to that unstated
consensus.
7. What percentage of the "audience" for your poetry would you consider your
friends or even acquaintances, if any?
I would like to believe that everyone who runs across something I write is a
potential friend. My actual poet friends run to the dozens, far fewer than
read my blog every week (and many of those just want to catch up on the world's
events). In point of fact, many of my closest poet friends are nonplussed
by my work and regularly express a lack of comfort in its direction.
Because I am a relentless litmag submitter, I can sometimes win a poetic
argument by getting published. But, in the end, I still wonder if they're
not right, and whether publication has become like judging a man's moral worth
on the basis of his election to the Senate.
8. In terms of well-crafted, do you think that craft (that is, skill of the poet
in whatever genre or form they have chosen) is typically the criteria used in
determining what is or is not published in the above? Or is it more likely to be
what is considered "good" poetry by academia and its associated publishing
press?
I stand on record that I think the poetry world has too much craft and too
little guile. Partly, that is because I have always had, even before
writing poetry, a decent capability to turn a phrase. So do the writers of
ad copy and commercial jingles. In the final analysis, I think that poetry
is a sufficiently important endeavor that the craft should be honey pot that
draws the reader to more important matters. These "matters" should be the
many layered substrates of the text: the impossible complexities of love,
the many forms of worship, the unvarnished grandeur of the natural world.
I am not longer certain by what criteria academe, and its many poetry organs,
adjudicate among poetry offerings. This is a subset of the quandary
regarding my current glass ceiling. I am guilty as charged when it comes
to writing to the intended audience, be it Denver Quarterly, ALC, or Volt.
I consider it a challenge to express myself in a manner consistent with their
preferred patois. It doesn't feel like selling out. It feels like
learning a new language.
9. What is more important to you as a poet, assuming that you can only pick at
most two of the following: that you be widely read, widely known, widely
admired, widely quoted, or well-paid?
I think Jonathan beat me to the punch on this one, too. I think that
"widely read, widely known, widely admired, widely quoted" characterizes less
than 500 poets in America. The rest of us email our friends to see if they
tripped across us in the latest New Concordia Review. As for "well-paid",
I left academia 25 years ago to escape the income level and endless committee
meetings that define university professorship. Billy Collins is, I
believe, the most highly paid poet in America, or was not that long ago.
His book's sales, selling in the tens of thousands, constituted about two hours
revenue of any top 10 trashy novel you find at Borders. In short, this is
either a silly question, or disingenuous. Billy Crystal in Throw Momma
From The Train, and hundreds of worthies before him said it best:
writers write.
Posted by jbahr at 09:09 PM | Comments (0)
Ten Good Questions
I am luxuriating in the process of reading blog entries in broad swaths,
owing to my absence from the blogosphere last week. Jonathan has again
stoked the intellectual fires of Our Little World by posing a
series of questions about poetics (or perhaps, metapoetics), the answers to
which cleverly manage to position the responder on a map of literary beliefs.
The Questions ask "how well have you read?", "what camp are you in?", "should we
have Leaders and did we pick them wisely?", "do you have any other hobbies?",
"why so sad?", "are we using the right hymn book?", and "what if the hokey-pokey
is what it's all about?".
I'm joking, of course, as the questions, originally directed to Ron Silliman,
are more serious. In fact, filled with enough brow-furling solemnity that
I was thrown off by Question 7 ("Are humor, irony, and wit (in whatever
combination) a sine qua non? ..."). Various interesting people provided a
wide range of articulate responses, including
Henry's cheese poem past,
Allen's
take on hero-worship ("I mean, it's fine that Harold Bloom exists to provide
canon advice, but I reserve the right to consider him a goofypants"),
Nick's thoughts on total poetic
self-absorption (benign in the short run, that is, less than a decade),
Synth's surreal response to Question 2 ("Clipped ballet salad under house
lights banging retrogressively"), and
Kasey's neat
sidestep to Poem vs. Project ("Chicken, meet egg.). After six months of
Meme Madness ("which Teletubby are you?"), this was a delightful and
thought-provoking prodding of imagination.
~~~~~~~
Yet Another Retraction, Correction, Emendment: In another
recurrence of Humpty Dumpty's Disease, I characterized Peter Campion's piece in
Poetry as "curmudgeonly", by which I meant "filled with delicious
Dickensian wickedness", a term that Merriam-Webster defines as "full of
resentment and stubborn notions" — something that I
didn't mean at all.
~~~~~~~
From the pages of the Wall Street Journal:
The Fed's interest rate hike last month may be its last for a while, as the
Greenspan Gang believe that inflation is whipped; average home prices
nationwide grew another 2.2% last quarter, but were disproportionately higher in
coastal states; the Dutch dealt a death blow to the European Constitution,
on the heels of the French non vote; in another break with the Bush
Administration, California governor Schwarzenegger set lower targets for
greenhouse-gas emissions; China hints that it may veto the expansion of the U.N.
Security Council to include (possibly) Germany, India, and Japan; North
Korea is so fearful of a coming famine that it has ordered millions of urban
workers into the fields on weekends; after 30 years, the identity of Deep
Throat (W. Mark Felt), the anonymous source credited with bringing down the
Nixon Administration, was discovered by a conservative corporate litigator;
Viagra may impair vision ("if your eyes are blurry for more than 4 hours, call
your doctor"); a new vaccine for shingles, the painful skin-ailment form
of chicken pox, shows promise; sales of goat in U.S. restaurants have
soared; tolerance by Party leaders of China's 45 million Christians
(mainly Protestant, and up from 6 million 25 years ago) is wearing thin; an E.U.
study says that European children are unheathily fat; the trend toward
"wireless homes" isn't accelerating as predicted, owing to cellular plan costs,
patchy service, and inferior line quality; Jaws, The Movie, will celebrate
its 30th anniversary with a special-edition DVD this summer.
.
~~~~~~~
J.P. Dancing Bear has three more Out of Our Mind radio show available for listening via streaming media:
OOM with Jennifer Michael Hecht - Part I
OOM with Jennifer Michael Hecht - Part II
OOM with Peter Streckfus - Part I
OOM with Peter Streckfus - Part II
OOM with Jason Carney - Part I
OOM with Jason Carney - Part II
OOM with Mark Yakich - Part II
OOM with Adrienne Torf & June Jordan
OOM with In A Fine Frenzy Anthology
Posted by jbahr at 07:40 AM | Comments (1)